For four years now I have worked and reworked old documents and old photographs from the last century until the 50s / 60s, to redo new, more contemporary images. These original visuals have the particularity of being always articulated in the following way: an image and a punch line that dialogue without illustrating each other. Once these collages are finalized, they are scanned to be printed in very large format and affixed in the street, to offer passers-by an open door to an imaginary offbeat and fun.
It is a question here of proposing to the "spectator" an image with multiple interpretations, an open door towards an elsewhere.
